Clean Dialogue. No Matter What
Professional Location Sound Mixer & Sound Recordist for film, TV & commercials.
Mallorca · International productions · ES / CA / SV / EN
About me
Xim Terrassa
Location sound mixer based in Mallorca. I work with national and international productions on multicultural sets, with three native languages — Spanish, Catalan and Swedish — plus fluent English. From feature films to commercials: clean dialogue, solid workflow and absolute calm on set.
View IMDb profile →Base of operations
Mallorca — fully available for travel
Working languages
Spanish · Catalan · Swedish (native) · English — frictionless international sets
Fields
Film · TV Series · Commercials · Documentary
The kit is already here
No flights, hotels, per diems or excess baggage. And no paperwork to fly lithium and RF.
Technical arsenal
Equipment
A Zaxcom ecosystem with Wisycom wireless and Schoeps, DPA and Sanken microphones: a complete, redundant arsenal for any shooting configuration.
Recording & Mixing
- Zaxcom Nova 2Main recorder-mixer
- Aria-8 / Aria-4Control surfaces
- Nova FP7Fader panel
- Zoom F8N Pro / F8Backup recorders, 32-bit float
- Tentacle Track EPocket recorders
- Sennheiser HD 26 ProReference monitoring
Wireless
- Zaxcom ZMT4.5Miniature bodypacks (512–608 MHz)
- Zaxcom TRX745Plug-on TX with onboard recording
- Zaxcom MRX4148 channels of reception
- Zaxcom QRX2002-channel receiver
- Wisycom MTP40s + MTB40sTransmitters, 470–660 MHz
- Wisycom MCR42Dual-channel receivers
Microphones
- Schoeps CMIT 5U / Mini CMITShotguns for exteriors
- Schoeps CMC1 + MK41The indoor reference
- Schoeps MK8Figure-8 capsule
- Sennheiser MKH50Indoor hypercardioid
- Sanken CS-M1Compact short shotgun
Lavaliers
- DPA 4060 COREOmni lavs, utterly natural
- DPA 6060Subminiature, virtually invisible
- DPA 4060 SlimFlat profile for concealment
- Sanken COS-11The all-round classic
IFB, Timecode & Video
- ERX3TCD + URX100IFB & timecode over ZaxNet
- LD MEI-1000 + RS120Feeds for director & client
- Tentacle Sync ETimecode sync boxes
- Denecke TS-3Digital slate
- Atomos Shinobi 7 / Fotga A50Video assist monitors
- Blackmagic SDI–AudioSDI audio embedding
Boom, Wind & Power
- K-Tek KEG-88CC · QP580 · QX5100Boom poles
- Cinela PIA-1 · LEOSuspensions & windshields
- Radius Mini ALTO · BubblebeeAdditional wind protection
- Audioroot eSMARTSmart power system
- Wisycom LNB · Betso BowtieActive antennas
- Züca · Toughbuilt · RocknRollerModular sound cart
Engineering & 3D Printing
Custom mounting solutions and sound-specific 3D-printed accessories: my own designs, optimised for my workflow on set.
Download printable parts in the LabSound post-production
From set to final mix
I don't just record your production's sound — I finish it. Dialogue editing, sound design and mixing up to 5.1 surround in my own room with Genelec monitoring. The same ears that were on set know every take and every decision — no loose ends between the shoot and delivery.
Dialogue editing & cleanup
Restoration, noise control and fine editing until only the performance is left. I work straight from the ISO tracks and room tone recorded on the shoot itself.
Sound design & ambiences
Effects, textures and atmospheres built scene by scene, drawing on my own location-recorded library.
5.1 & stereo mixing
Final mix on Genelec monitoring, balanced to translate the same way in a cinema, on a TV or through headphones.
Delivery & loudness
Mastered to broadcast and cinema standards (EBU R128), with stems and an M&E track ready for international distribution.
Podcast, documentary & series
Long-form mixing: drama and documentary for television and streaming platforms, and podcast delivered at the levels Spotify, Apple and YouTube ask for.
ADR & Foley
Dialogue replacement (ADR) when the original take cannot be saved, and Foley — footsteps, cloth, object handling — to give the scene its physical body back.
The room
A dedicated, acoustically treated mix room: Pro Tools, Genelec monitoring and subwoofer, for stereo and 5.1 surround work. A room is not there to make everything sound good — it is there to make it sound like what it is.
Global Location Sound
Filming Without Borders
From Ny-Ålesund (78°N) to Cape Horn (56°S): location sound anywhere on the planet. Spin the globe and explore the expeditions.
Portfolio
Work
A selection of recent productions.
Benidorm is Murder
Solsidan
Where The Sun Always Shines
Hustle
A Man Called Ove
Special Ops: Lioness
His Dark Materials
The Mallorca Files
White Lines
Der König von Palma
Kleo
FBI: International
Du forsvinder
Commercial campaigns
Your next project
Lab & Arcade
Red Viking Lab & Arcade
Sound apps and 3D-printable parts for the film community — and a minigame about surviving set chaos.
Sound Reports
Digital sound reports for production.
Coming soonRF Toolkit
RF spectrum scanner for locations.
Coming soonRVLS3D NP50
NP50 battery caddy with the Red Viking Location Sound logo. Holds 2 batteries.
DownloadLicence: Red Viking Licence
Print it and use it, including on paid shoots. Don’t modify the design, don’t share the file and don’t sell it.
About the Lab
I build these apps in my spare time, between shoots, for the sound community — and they are free. If one saves your day on set and you want to help me keep making them, any contribution keeps the Lab running. Thank you!
A voluntary contribution to keep the Lab running. It is not a purchase or a subscription: it entitles you to nothing in return and is not tax-deductible.
Acoustic Ephemeris
On This Day in Sound
Every day, a milestone from the world of audio, film and listening.
QUIET ON SET! — Red Viking vs. Set Chaos
Survive the chaos of the set by keeping the dB meter in the safe zone.
Move with arrows or D-pad. A (or SPACE) = shush the noise next to you. B = viking shout that drops the dB fast: 3 per take. Helpers: the Zaxcom clears the set, the Cinela shields you and coffee makes you run. Pause: ENTER or the button up top.
Your best: 0
World record:
Availability & booking
Contact
Tell me about your project, shoot dates and locations. Fast reply, clear quote.