Clean Dialogue. No Matter What
Professional Location Sound Mixer & Sound Recordist for film, TV & commercials.
Mallorca · International productions · ES / CA / SV / EN
Red Viking
Location Sound
Professional Location Sound Mixer & Sound Recordist for film, TV & commercials.
Mallorca · International productions · ES / CA / SV / EN
About me
Location sound mixer based in Mallorca. I work with national and international productions on multicultural sets, with three native languages — Spanish, Catalan and Swedish — plus fluent English. From feature films to commercials: clean dialogue, solid workflow and absolute calm on set.
View IMDb profile →Mallorca — fully available for travel
Spanish · Catalan · Swedish (native) · English — frictionless international sets
Film · TV Series · Commercials · Documentary
No flights, hotels, per diems or excess baggage. And no paperwork to fly lithium and RF.
Technical arsenal
A Zaxcom ecosystem with Wisycom wireless and Schoeps, DPA and Sanken microphones: a complete, redundant arsenal for any shooting configuration.
Custom mounting solutions and sound-specific 3D-printed accessories: my own designs, optimised for my workflow on set.
Sound post-production
I don't just record your production's sound — I finish it. Dialogue editing, sound design and mixing up to 5.1 surround in my own room with Genelec monitoring. The same ears that were on set know every take and every decision — no loose ends between the shoot and delivery.
Restoration, noise control and fine editing until only the performance is left. I work straight from the ISO tracks and room tone recorded on the shoot itself.
Effects, textures and atmospheres built scene by scene, drawing on my own location-recorded library.
Final mix on Genelec monitoring, balanced to translate the same way in a cinema, on a TV or through headphones.
Mastered to broadcast and cinema standards (EBU R128), with stems and an M&E track ready for international distribution.
Long-form mixing: drama and documentary for television and streaming platforms, and podcast delivered at the levels Spotify, Apple and YouTube ask for.
Dialogue replacement (ADR) when the original take cannot be saved, and Foley — footsteps, cloth, object handling — to give the scene its physical body back.
A dedicated, acoustically treated mix room: Pro Tools, Genelec monitoring and subwoofer, for stereo and 5.1 surround work. A room is not there to make everything sound good — it is there to make it sound like what it is.
Global Location Sound
From Ny-Ålesund (78°N) to Cape Horn (56°S): location sound anywhere on the planet. Spin the globe and explore the expeditions.
Portfolio
A selection of recent productions.
Lab & Arcade
Sound apps for the film community — and a minigame about surviving set chaos.
Digital sound reports for production.
Coming soonRF spectrum scanner for locations.
Coming soonI build these apps in my spare time, between shoots, for the sound community — and they are free. If one saves your day on set and you want to help me keep making them, any contribution keeps the Lab running. Thank you!
Acoustic Ephemeris
Every day, a milestone from the world of audio, film and listening.
Survive the chaos of the set by keeping the dB meter in the safe zone.
Move with arrows or D-pad. A (or SPACE) = shush the noise next to you. B = viking shout that drops the dB fast (has a cooldown).
Best: 0
Availability & booking
Tell me about your project, shoot dates and locations. Fast reply, clear quote.